“In Strange Woods” in Vulture

Vulture featured In Strange Woods on their *quite exclusive* list of 8 Podcasts to Listen to this Fall. 

It’s an unbelievable honor to be featured along with offerings from Gimlet, NPR, The New York Times, and KCRW.

The other exciting bit of news that broke with that article was the announcement that our podcast will be out in November of this year. That may seem like a century from now in 2020-adjusted terms, but it’s just around the bend. We are furiously working our way through post to bring you an incredible, unique listening experience crafted purely for audio.

To stay up-to-date with all things In Strange Woods go here.

Post-Apocalypse Now

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A cloud of smoke rises following an airstrike by Syrian government forces in the rebel-held area of Douma, northeast of Damascus, on February 5, 2015 (AFP Photo / Abd Doumany)

There’s an ad I often hear on NPR featuring a film critic saying, “I can’t wait for the real post-apocalyptic dystopia to arrive so we can finally stop seeing films about it.”

Every time I hear it I think:hodgins-yes

I so often see synopses for new films or tv shows or plays that take place in this post-apocalyptic landscape, particularly written by younger, (I’m just guessing here, but…) white, male writers.

I totally get the impulse. It’s hugely dramatic after all. What do you do after the worse possible thing has happened? You fight the man and reclaim the day! Does matter how vague, contrived, or illogical the details. Hell yeah! Tune in! Continue reading Post-Apocalypse Now

The KID with the KEYS

Join me as Sterling’s Upstairs at the Federal presents the debut of The Kid With the Keys.

It will be a classy night of troublemaking, immaturity, and kid-play featuring music from the Millennial Generation of composers including Joe Iconis, Ryan Scott Oliver, Daniel Maté, and yours truly.

Tickets are $38 for VIP Reserved Seating, or $28 for General Admission Seating, both of which include the Entertainment Cover and the $10 Food and/or Beverage Minimum.  RESERVATIONS ARE A MUST.  Please call 818-754-8700 .  Patrons enjoying dinner are encouraged to arrive between 5:30-6:00pm.

Sterling’s Upstairs at the Federal is located at 5303 Lankershim Blvd. North Hollywood, CA 91601.  Valet Parking is available directly behind the Federal ($3.50 with validation).  Ample street parking is also available.  The dress code is upscale casual.

THE PRINCE in Print

This summer’s July/August issue of American Theatre Magazine will feature the complete version of Steven Drukman’s The Prince of Atlantis along with photos of me in the world premiere production, which played at South Coast Repertory this past April.  Grab a copy and check it out!

Even if you just page through it at the magazine rack, you’ll look super intellectual to all the passersby…

MILWAUKEE’S STILL BUZZING

After The Tavern Keeper’s Daughter already made a splash when its public reading filled the Cabot Theatre and brought together two companies (Milwaukee Chamber Theatre and Skylight Music Theatre), this article recently came out in “M Magazine” – Milwaukee’s Lifestyle Magazine.

 

 

 

Writer Joan Kazan and I talk about my Milwaukee roots, my aspirations for the future, and how booking jobs can really mess up a well-planned schedule. 

(Click on the article below to be able to enlarge it.)

THE TAVERN KEEPER’S DAUGHTER to be Read at Milwaukee Chamber Theatre

Milwaukee Chamber Theatre and the Skylight Opera Theatre will co-produce a reading of The Tavern Keeper’s Daughter with book, music, & lyrics by B.T. Ryback.  The reading will be directed by Ray Jivoff as part of the the Montgomery Davis Play Development Series, and will take place Monday, Feb. 27, 2012 at 7:30 pm in The Skylight Bar & Bistro, 2nd Floor, Broadway Theatre Center, 158 N. Broadway.  The reading is free with donations kindly accepted.

More about TKD: Returning home to Milwaukee from WWII, Lenny, a young Polish marine, finds himself arranged to marry the tavern keeper’s daughter from the bar across the street. Wanting more than a small town life, he runs off to New York City, where he meets Wanda, a spunky young woman trying to make something of herself in the Big Apple. Together they embark on a hilarious and heartwarming journey of self-discovery and romance, complete with a kooky, chorus-dancing gypsy, two mischievous gangster brothers, and the villainous godfather of the Polish mafia. The Tavern Keeper’s Daughter is a brand-new, throw-back musical that celebrates that home is what you choose to make of it.

Developmental Production of Darling, A New Musical, to be produced at Emerson College

BOSTON, MA – Retrop Productions and Emerson College’s RareWorks Theatre Company, in association with Kurt Deutsch, President and Founder of Sh-K Boom Records, are pleased to announce their collaboration with Ryan Scott Oliver and BT Ryback on the new musical Darling. A private workshop of this new piece will be presented at Emerson College in December, with a developmental production occurring in early Spring of 2012.

Jacob Porter, President of Retrop Productions, remarked on the collaborative opportunity: “Having [Ryan Scott Oliver] and [B.T. Ryback] present for the developmental process will be a beneficial learning experience for the entire Emerson student community and will provide the authors with information that will aid the creation of this daring and bold new work.” Nick Medvescek, Producing Director for RareWorks Theatre Company, adds “this production allows us to link our student community to industry leaders and rising talent.”

Darling, A New Musical will be directed by Michael Bello, a senior BFA Musical Theatre Major at Emerson College. Bello has previously worked as an assistant director at Theatreworks in Palo Alto, CA and for Mary Zimmerman at the Huntington Theatre Company in Boston. Bello believes that “bringing a new musical, like Darling, to Emerson will provide every student involved with a unique and educational challenge to work on a piece unlike any other student organization musical.”

Darling is presented in association with Kurt Deutsch, President and Founder Sh-K-Boom Records, a Grammy Award winning label that bridges the gap between rock and theater music. Deutsch is looking forward to this exciting collaboration at Emerson, and stated that “there is nothing like being part of the creation of a new musical and working with two of the most exciting young musical theatre writers. I think that Darling represents where the future of musical theatre is going deeply rooted in traditional storytelling through music but by someone whose influences range from Sondheim to the popular music of today.”

Ryan Scott Oliver, composer and lyricist for Darling, speaks on behalf of the creative collaboration with book-writer BT Ryback: “We’re really looking forward to our work with the Emerson team this year. To be able to not only read thru the material but then have the opportunity to revise it and have it up on its feet in production is an exceptional opportunity. The university setting is a blessing to workshop a show like Darling, and Brett [BT Ryback] and I are anxious to see our show take her next step forward.”

This exciting collaboration highlights the importance of developing new musical theater within an educational environment; providing both student and professional theatre artists with the opportunity to work, learn, and grow in a creative and stimulating climate.

More about Darling
Darling, with music and lyrics by Ryan Scott Oliver, and book by B.T. Ryback, follows upper crust teenager Ursula Morgan in 1929 Boston as its society boils in the weeks before the Crash. Neglected by her excessive, self-absorbed parents, Ursula encounters Peter, a charming rent-boy of uncertain age, on the run from the Captain of Police who pursues him for a heinous crime he may or may not have committed. When she is offered the
opportunity to run away with him, she takes it and finds herself swept into a seedy underground of jazz, sex and a mysterious white powder called Fairy Dust.