About a year ago now, I wrote an article on my blog called Race and the New Generation of Musical Theatre Writers. In the article, I called out to my white colleagues to ‘stretch’ their worldview to a point where they were able to see that our communities are not just populated by white people; to step outside of our unconscious biases and take an active part in truly ‘holding up the mirror.’
This recent Op-Ed in the NY Times by Kaitlyn Greenidge struck me as an interesting extension of that call to arms. It asks the question, “Who Gets to Write What?” and examines the tightrope of cultural appropriation. Continue reading On Cultural Appropriation
In a recent post about Race and the New Generation of Musical Theatre, I gave a shout out to Michael R. Jackson, a musical theatre composer/lyricist whose work I recently came to know, and who was telling stories about people of color in a way I’d never seen before.
I had originally heard of Michael when I saw a song from his largely autobiographical musical A Strange Loop performed as part of William Finn’s Ridiculously Talented Composers and Lyricists You’ve Probably Never Heard of But Should cabaret at 54 Below. (Well – truth be told I think I originally originally heard of him when the pop-star Michael Jackson died, and he was forced to distinguish himself on Facebook as Michael “Living” Jackson, but that’s neither here nor there.)
I then got to meet him as we were both participants of the Johnny Mercer Writers Colony at the Goodspeed Musical Theatre this past January. There I got to see more of his work on the show come to life.
A Strange Loop is, how shall I put it…graphic. Continue reading Michael Jackson Lives
I woke up recently to a video on Facebook advertising the cast and creative team of a new musical premiering this month at Arena Stage in Washingon, DC.
The musical is called Dear Evan Hansen and is written by the songwriting team Pasek & Paul, along with bookwriter Steven Levenson, and is directed by Michael Greif.
Let me say at the outset – this post is not about these people specifically. I have no personal beef with them. I respect the cast and team immensely and I’m sure the show is fantastic.
I am instead writing about my generation of musical theatre creators at large.
So here’s the video:
My first impression, even before PLAYING the video, was “Wow – look at all those white people.” Continue reading Race and the New Generation of Musical Theatre Writers