Tell Me What You Want, What You Really, Really Want

PC: Aron Van de Pol

I saw a couple new plays over the last few weeks, and it got me thinking about structure.

There seems to be a trend with young playwrights that rejects the “restraints” of traditional structure. With nothing worthwhile to replace it, however, rejecting traditional structure feels like a rejection of any structure at all. The resulting play feels like a meditation on a theme at best and a plot with no climax or catharsis at worst.

There are two general kinds of structure that I’d like to distinguish: Flow and Story. Continue reading Tell Me What You Want, What You Really, Really Want

On Cultural Appropriation

A photo by Aidan Meyer. unsplash.com/photos/Q9GlzfhYgGk

About a year ago now, I wrote an article on my blog called Race and the New Generation of Musical Theatre Writers. In the article, I called out to my white colleagues to ‘stretch’ their worldview to a point where they were able to see that our communities are not just populated by white people; to step outside of our unconscious biases and take an active part in truly ‘holding up the mirror.’

This recent Op-Ed in the NY Times by Kaitlyn Greenidge struck me as an interesting extension of that call to arms. It asks the question, “Who Gets to Write What?” and examines the tightrope of cultural appropriation. Continue reading On Cultural Appropriation

When Life Hands You a Pile of Poo…

1120288

There are people in your phone and they have something they’d like to sing to you.

That’s right – all those emojis you use to embellish or simplify your texts are people, too, and now there’s a brand new musical in the works about them. Yes, even the pile of poo.

Thankfully, their songs have music and lyrics by Keith Harrison and a book by Keith and Laura Harrison. (Yes, they’re married. And yes they’re adorable.)

Keith+Harrison+Laura+Harrison+Kitty+Bungalow+dqARpF94aJ_l

A couple weeks ago I had the pleasure of hosting an event called Musi-CAL. Presented by the Festival of New American Musicals, Musi-CAL is a bimonthly concert series featuring material from new and in-progress musicals written by Southern Californian composers, lyricists, and bookwriters.

The final presentation was Keith and Laura’s show, Emojiland. I can’t even describe the energy that filled the room with each song they presented. Everyone in attendance was blown away by the quality and production-value of their work. It was simply stellar.

I met Keith and Laura separately Continue reading When Life Hands You a Pile of Poo…

Michael Jackson Lives

In a recent post about Race and the New Generation of Musical Theatre, I gave a shout out to Michael R. Jackson, a musical theatre composer/lyricist whose work I recently came to know, and who was telling stories about people of color in a way I’d never seen before.

sm04

I had originally heard of Michael when I saw a song from his largely autobiographical musical A Strange Loop performed as part of William Finn’s Ridiculously Talented Composers and Lyricists You’ve Probably Never Heard of But Should cabaret at 54 Below. (Well – truth be told I think I originally originally heard of him when the pop-star Michael Jackson died, and he was forced to distinguish himself on Facebook as Michael “Living” Jackson, but that’s neither here nor there.)

I then got to meet him as we were both participants of the Johnny Mercer Writers Colony at the Goodspeed Musical Theatre this past January. There I got to see more of his work on the show come to life.

A Strange Loop is, how shall I put it…graphic. Continue reading Michael Jackson Lives

See what the Tonys Inspire

6a012876c6c7fb970c01bb08264d7a970d-300wiThe Tony Awards always leave me inspired. I didn’t get to watch this years broadcast, but even just seeing the names of nominees and winners that are close to my heart fuels me to keep pushing ahead in this crazy business of show.

I’m especially inspired by the win of FUN HOME – a story we’ve never seen before on the musical stage – as it further widens the breadth of what stories a musical can tell. As it has for centuries, the theatre continues to have the power to give voice to all sorts of populations whose stories deserve to be told.

That’s why I’m so excited to premiere some brand new songs from JOE SHMOE SAVES THE WORLD as part of The Festival of New American Musical’s Musi-CAL series, celebrating new musicals written by SoCal writers.

The show is hosted by Rockwell Table & Stages in Los Feliz. It begins at 8pm and tickets start at only $15.

Come have a bite to eat and support new musical theatre performed by my incredible cast featuring Jonah Hill (American Idiot, Hair at the Hollywood Bowl), Alex Wyse (Masters of Sex, Broadway’s Lysistrata Jones), Ashley Argota (The Fosters), and Nicole Farnoush, as well as Kat Hennessey, Chris Meissner, Lyle Mackston, and Holly Howell.

Grab your tickets ahead of time – and I’ll see you there!

Finishing the Draft!

It’s a difficult thing to balance two “careers” at once. For me, acting has always taken precedence because it’s my “bread-and-butter,” which I say while making a very ironic face.

But I love writing with the same passion as I love acting, so I can’t just do one and not the other. It just means I’ve had to accept that sometimes the writing is just gonna take longer. A looooot longer.
But this week I was able to finish the first draft of my musical Joe Shmoe Saves the World. Which thrills me to itty bitty little pieces.
Granted – it’s incomplete. That’s right. It’s an incomplete first draft. But it’s cohesive! And now that the first draft is written it means that the rewriting can begin. And so the cycle never ends.
Here’s a paragraph I’m particularly proud of. This comes from my own personal inspiration for writing this piece:
Screen Shot 2014-11-14 at 4.15.03 PM

The Best 3-for-1 Deal in NYC

2F6B1BB02-A0BC-EA96-0BF8CE001A137B36.jpg.pagespeed.ce.GtMymtHlpJ If you’re looking for an excuse to see MURDER FOR TWO – there ain’t a better one than this.

Next Monday, April 7th, following our performance you’ll get to see work from 2 emerging musical theatre composers.  Alexander Sage Oyen and ME!  I will be presenting a condensed concert of my musical comedy THE TAVERN KEEPER’S DAUGHTER.

For the price of one ticket – you get 3 shows.  Frankly, it’s criminal.

And a portion of all ticket sales goes to benefit Broadway Cares/Equity Fights AIDS.

Use code MRMUSMON20 to get $37 tickets (normally $87) and join  Alexander and myself and a cast of massive Broadway talent (i.e. Lesli Margherita, Taylor Trensch, Todd Buonopane, Julia Mattison, Preston Sadleir, Leo Ash Evans, and so on) for a GREAT Monday night out.

TAVERN KEEPER’S is a Winner!

EPSON MFP imageThis week, the Pasadena Musical Theatre Program’s summer production of my musical THE TAVERN KEEPER’S DAUGHTER was voted Best Production by the readers of Pasadena Weekly – beating out works at both the highly regarded Boston Court Theatre and the major regional Pasadena Playhouse.

I’m very proud of everyone’s work on the production.  Congratulations!

Listen below to Lesli Margherita (Broadway’s Matilda) sing “Let Go!” from THE TAVERN KEEPER’S DAUGHTER.

 

TKD in Pasadena

999354_10102468071421906_1529618435_nThis week the Pasadena Musical Theatre Program (PMTP) is producing my musical THE TAVERN KEEPER’S DAUGHTER at the Carrie Hamilton Theatre @ Pasadena Playhouse!

PMTP is a unique performing arts training organization where students are encouraged to embrace musical theatre as a method of self-exploration to enhance their personal growth and professionalism.  I have been associated with them for many years as a director, writer, and musician.  They are a fantastic organization, with an incredibly talented group of students, and run by my good friend Ryan Scott Oliver – who also directs this production!

Go see the show and support local arts education!

THE TAVERN KEEPER’S DAUGHTER plays Thursday July 25th at 7pm | Friday July 26th at 7pm | Saturday July 27th at 1pm & 6pm | Sunday July 28th at 12 noon & 6pm at the Carrie Hamilton Theatre @ The Pasadena Playhouse (39 S. El Molino Ave, Pasadena, CA 91101)

Get tickets here or by calling 323-250-3150.