We’re super excited to hear the piece aloud with a cast of actors and have it play in front of audiences. It’s a big opportunity, and we couldn’t be happier.
Under the leadership of Executive Director, Michael Gennaro, Goodspeed Musicals is dedicated to the preservation, development and advancement of musical theatre and is the first theatre in the nation to receive two Tony Awards (for outstanding achievement). Passing Through was developed over the course of two years at Goodspeed’s Johnny Mercer Writers Colony, and the Rhinebeck Writer’s Retreat.
Tickets are available here and are very cheap if you’re interested in coming up for the weekend or even the day. Our presentation is on Sunday January 14th at 1pm.
Click below to listen to “Cut You Out” – a song from the show.
Last Monday I hosted Musi-CAL, a bimonthly concert celebrating new works of Musical Theatre in Los Angeles. I premiered a new song from my musical-in-development Passing Through. It turned out to be perfect timing, as it was announced last week in the New York Times that my book writer Eric Ulloa and I were accepted to the Rhinebeck Writer’s Retreat to continue working on the piece this summer.
The song is sung by a 73-year-old ranch hand, Dennis, in New Mexico. Our main character, Andrew, is taken in by him for the night and begins to open up with Dennis about his conflict with his dad. In a very fatherly way, the old ranch hand shares his experience with Andrew, offering him a little perspective.
For nine consecutive weeks beginning July 2, each writing team will have a weeklong residency in the Hudson Valley, two hours north of New York City, to write their new musical.
Writers pay nothing to participate in Rhinebeck Writers Retreat, which takes no percentage of future royalties, and donors cover all the writers’ costs. Each writing team lives in a private home and is provided transportation, food, and a $500 stipend.
There’s a certain pessimism that allows you to be blasé about not receiving the grants/awards you apply for as a writer. It’s the pessimism that says, “Chances are I won’t win this, but I’ll try anyway.” Then when you aren’t selected you can say to yourself, “See, I thought so.” Or if you are, you can be pleasantly and genuinely surprised/honored.
Often I find I can learn a lot from people who receive grants/awards for which I also applied. It introduces me to a new type of work or a new way of thinking. It gives me inspiration to see other peers finally receive due attention. It forces me to pay attention to what people are responding to and strive for greatness in my own work.
There are people in your phone and they have something they’d like to sing to you.
That’s right – all those emojis you use to embellish or simplify your texts are people, too, and now there’s a brand new musical in the works about them. Yes, even the pile of poo.
Thankfully, their songs have music and lyrics by Keith Harrison and a book by Keith and Laura Harrison. (Yes, they’re married. And yes they’re adorable.)
A couple weeks ago I had the pleasure of hosting an event called Musi-CAL. Presented by the Festival of New American Musicals, Musi-CAL is a bimonthly concert series featuring material from new and in-progress musicals written by Southern Californian composers, lyricists, and bookwriters.
The final presentation was Keith and Laura’s show, Emojiland. I can’t even describe the energy that filled the room with each song they presented. Everyone in attendance was blown away by the quality and production-value of their work. It was simply stellar.