How to Write a Song for the Musical Theatre

PC: Dayne Topkin

Consistent writing with consistent quality requires consistent habit. There are always a lot of variables when you’re writing something new – new characters, new circumstances, new voices, new points of view. Given that there will always be lots of new unknowns, when it comes to your process you don’t want to have to always be reinventing the wheel.

When I’m writing a new song for a musical, I start by asking myself a series of questions. The order of the series is not important, and I will usually stop at whichever point I feel I’ve answered enough to begin writing the song. (I am taking for granted that at this point I’ve created a musical language for the world of the piece as well as the individual characters.)


1. What is the EVENT of the scene/moment? This is often but not always coupled with the second question on the list (What is the conflict of the scene/moment?) This question allows me to identify what the major dramatic event is. The story in a musical is communicated and moves forward via song, therefore Continue reading How to Write a Song for the Musical Theatre

Lincoln’s a Bitch

Lincoln
As dramatic and historic a time as the Civil War was, attempting to dramatize the “struggle” of Abraham Lincoln is damned near impossible.

If you saw the recent Spielberg movie, you know that Daniel Day Lewis’s portrayal of the 16th President is sweet, subtle, and extremely endearing – all attributes that Lincoln was noted to have.  But the truth is, even 3-D glasses wouldn’t give this Lincoln any dimension.

Having written a play about Abraham Lincoln myself…
tumblr_m27hunmZoZ1qggv4ro1_500…I know a little bit about what Mr. Tony Kushner was dealing with. Continue reading Lincoln’s a Bitch