DARLING wins New Musical Award

Emily Walton as Ursula
Emily Walton as Ursula

The Weston Playhouse Theatre Company is pleased to announce Darling as the winner of its seventh annual New Musical Award.

Written by Ryan Scott Oliver and Brett Ryback, Darling is a coming-of-age story about teenager Ursula Morgan, who leaves behind her upper-class family and finds herself in the seedy underground of Depression-era Boston — a world of sex, jazz and a mysterious drug called….fairy dust.

The piece, which was featured on the “Bound for Broadway” episode of NBC’s The Apprentice, was nominated for Weston’s prestigious national award by Director of Music at Pace New Musicals Robert Meffe who said of Darling: “The rock score is dark, edgy and contagious… The lyrics are intelligent, surprising and original…The book is a wildly different take on the Peter Pan story that will have audiences trying to uncover the allusions every night.”

The Weston Playhouse New Musical Award, the only one of its kind in the country, has become a highly sought-after prize. It supports new work by writers and composers of notable promise, chosen from a group of national nominations. Winners rehearse their work in Vermont under professional musical direction with a cast of exceptional actor/singers. After performing selections from Darling in concert on the Weston stage on March 2, Oliver, Ryback and their cast return to New York to perform at an invited concert and then to record a demo cd under the supervision of Kurt Deutsch of Sh-K-Boom Records.

Derek Klena as Peter
Derek Klena as Peter

The Vermont and New York concerts will be led under the musical direction of Chris Fenwick (Giant). The cast of rising Broadway talent includes Derek Klena (Dogfight) as Peter, Emily Walton (Peter and the Starcatcher) as Ursula, Julia Mattison (Godspell), Justin Keyes (How to Succeed…) and Max Chernin (NYMF’s Really Bad Things).

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Cultural Swampland

My attention was drawn a while back to an LA Times article discussing a sort of cultural revolution occurring at Los Angeles’s Museum of Contemporary Art (MOCA).  Longtime curator, Paul Schimmel – “an artist favorite, seen as a champion of ambitious, intensely researched exhibitions” – was recently fired and replaced by Jeffrey Deitch – “who gained his reputation by creating buzzed-about events that often drew on youth culture, [including recent exhibitions in LA] that revolved around high-recognition names, including Dennis Hopper and James Franco.”  The ousting led to the protest and resignation of many board member-artists, including Catherine Opie and John Baldessari.

The article goes on to include other realms of art interacting warily with celebrity and fashion.

MOCA is not the only artistic institution hosting celebrity versus significance face-off. Theater has been at it for years; Broadway not only remakes big, successful film musicals, now it takes on flops (“Newsies”) and indies (“Once”) while bemoaning the lack of original plays.

Now, there’s certainly nothing new about a clash between the “old guard” and the young, up-start newcomers.  “Established” and “safe” often mean the same, and the “language of the people” is constantly evolving (or perhaps “revolving” is a more apt term), so if one doesn’t at least keep an ear out, one will eventually become irrelevant.

If there are any hard and fast rules about art and fashion they are: Continue reading Cultural Swampland