Every now and then I get the opportunity to play piano for the Wicked auditions in Los Angeles. I haven’t done it too often, but it struck me this week as I played 16 bars for nearly 200 singers, that the last time I did was a year ago.
A year ago. Election week 2016.
I remember it vividly. I played two days that week. Monday and Wednesday.
When I left on Monday, the mood was exuberant. “See you after we elect our first female president!” I probably said leaving the room, skipping. Everything was possible. I skipped everywhere back in those days.
Sure Hillary wasn’t always a Popular candidate. People feared and mistrusted her simply because of who she was. Some even called her a witch. But though she was guarded, wonkish, and at times inaccessible, one thing she definitely was not is green. She had a lifetime of experience. When it came to running the country, I knew Hillary would be a Wizard and I was so excited to vote for her.
As I watch the various entertainment awards ceremonies that populate the first few months of the year, I am always struck by the depth of intention artists find in work that can sometimes feel like pure entertainment. I’m reminded that in everything we as actors do, we must find the greater purpose. Make it about something bigger than ourselves because that’s where the possibility for greatness lies.
Last night, during the SAG awards, many of the actors rose to the occasion of our times, understanding that the work they do does not exist in a vaccuum, but is rather reflected through the prism of the culture, giving their award an importance beyond simple recognition of talent or hard work. Continue reading What Will Your Oscar’s Speech Be?
I’ve been thinking a lot recently about what precisely I, as an artist, can do to counter the sociopolitical climate of this moment. I am unwilling to fall victim to despair, while at the same time I recognize a sense of helplessness – particularly when it comes to sharing the truth. Our leaders have become misleaders. Our social media have become less social, more media. And the press is now suspect both to those who wish to subvert the facts and those who are seeking them out.
Therefore, I feel that it falls to artists to follow through, more so now than ever, on their job description of holding a mirror up to society. We must tell the truth.
Her thank you speech last night was…surprising, I think. While many actors take those opportunities to speak broadly for what they feel their career has meant to them or other people, Meryl took an interestingly more political, and potentially divisive tack. She (quite brilliantly) dissected the phrase ‘Hollywood Foreign Press’ into the people that have been and will doubtless continue to be some of the most vilified people in our current President-Elect’s playbook. Continue reading Streep. Agree or Disagree?
About a year ago now, I wrote an article on my blog called Race and the New Generation of Musical Theatre Writers. In the article, I called out to my white colleagues to ‘stretch’ their worldview to a point where they were able to see that our communities are not just populated by white people; to step outside of our unconscious biases and take an active part in truly ‘holding up the mirror.’
I had originally heard of Michael when I saw a song from his largely autobiographical musical A Strange Loop performed as part of William Finn’sRidiculously Talented Composers and Lyricists You’ve Probably Never Heard of But Should cabaret at 54 Below. (Well – truth be told I think I originally originally heard of him when the pop-star Michael Jackson died, and he was forced to distinguish himself on Facebook as Michael “Living” Jackson, but that’s neither here nor there.)
I then got to meet him as we were both participants of the Johnny Mercer Writers Colony at the Goodspeed Musical Theatre this past January. There I got to see more of his work on the show come to life.