We’re super excited to hear the piece aloud with a cast of actors and have it play in front of audiences. It’s a big opportunity, and we couldn’t be happier.
Under the leadership of Executive Director, Michael Gennaro, Goodspeed Musicals is dedicated to the preservation, development and advancement of musical theatre and is the first theatre in the nation to receive two Tony Awards (for outstanding achievement). Passing Through was developed over the course of two years at Goodspeed’s Johnny Mercer Writers Colony, and the Rhinebeck Writer’s Retreat.
Tickets are available here and are very cheap if you’re interested in coming up for the weekend or even the day. Our presentation is on Sunday January 14th at 1pm.
Click below to listen to “Cut You Out” – a song from the show.
Earlier this month, Indiana University presented four workshop performances of Joe Schmoe Saves the World. The piece was provocative, empowering, and very well-received by a diverse audience of different ages and backgrounds.
Last Monday I hosted Musi-CAL, a bimonthly concert celebrating new works of Musical Theatre in Los Angeles. I premiered a new song from my musical-in-development Passing Through. It turned out to be perfect timing, as it was announced last week in the New York Times that my book writer Eric Ulloa and I were accepted to the Rhinebeck Writer’s Retreat to continue working on the piece this summer.
The song is sung by a 73-year-old ranch hand, Dennis, in New Mexico. Our main character, Andrew, is taken in by him for the night and begins to open up with Dennis about his conflict with his dad. In a very fatherly way, the old ranch hand shares his experience with Andrew, offering him a little perspective.
For nine consecutive weeks beginning July 2, each writing team will have a weeklong residency in the Hudson Valley, two hours north of New York City, to write their new musical.
Writers pay nothing to participate in Rhinebeck Writers Retreat, which takes no percentage of future royalties, and donors cover all the writers’ costs. Each writing team lives in a private home and is provided transportation, food, and a $500 stipend.
What makes a song the “Best Original Song” for a motion picture? This year is particularly fascinating.
There appears to be a clear front runner in La La Land, nominated for the maximum two songs – “Audition” and “City of Stars.” Being a “movie musical” (yes, in quotations) the songs function in a very clear and direct way, allowing their effectiveness and relevance to the dramatic whole to be more objectively quantifiable. With two nominations, however, it runs the risk of cancelling itself out.
Furthermore, historically the academy has chosen songs by famous pop artists, which gives an edge to Justin Timberlake and Sting. Although THIS year, with the massive pop appeal of Hamilton, the prize could go to Lin-Manuel Miranda. So it’s really up in the air.
There is always going to be a large amount of subjectivity when evaluating a creative endeavor. Ideally, the law of averages works it out so that the opinions of an educated sample reflect the opinions of the educated majority.
Remember, though, that while the nominations are made by Academy members who are songwriters and composers, the winners are decided by the membership as a whole. (So beware Lin Manuel Miranda – the deciding vote may come down to a tone-deaf cinematographer.)
I’ve always thought that songs in motion pictures are a difficult thing to judge, and precisely because of that they are almost always a difficult award to predict. Add to that the bizarre and ever-changing rules which govern the nominations of songs, which results in years where only two songs (???) are even nominated.
I thought it might be interesting to go through the nominations and see how to evaluate them on the principles of the Academy.
As I watch the various entertainment awards ceremonies that populate the first few months of the year, I am always struck by the depth of intention artists find in work that can sometimes feel like pure entertainment. I’m reminded that in everything we as actors do, we must find the greater purpose. Make it about something bigger than ourselves because that’s where the possibility for greatness lies.
Last night, during the SAG awards, many of the actors rose to the occasion of our times, understanding that the work they do does not exist in a vaccuum, but is rather reflected through the prism of the culture, giving their award an importance beyond simple recognition of talent or hard work. Continue reading What Will Your Oscar’s Speech Be?
Art and activism have a long history together. As art is a representation of the truth of the world around us, it can often force us to see things that we typically choose to ignore.
Sometimes – often times – this type of truth telling can cause trouble for the artist. Especially in countries where freedom of speech is not valued as it is in the west.
In Iran, a 29-year-old painter named Atena Farghadani was sentenced to 12+ years in prison earlier this summer, for depicting members of the Iranian parliament as monkeys and cows. She created the artwork as a response to their vote to restrict contraception and ban certain birth-control methods. Even while in prison – where she suffered abuses and more injustices – she would draw on paper cups until they were no longer given to her. Continue reading Make Art for a Change