For the longest time there was a wall I couldn’t surpass as an actor. I didn’t know how to be fully emotionally vulnerable in my work. Every now and then I would hit on something and it would surprise me. I couldn’t get back there, and I didn’t understand why.
A few months ago, I saw a play that featured a word that I thought I understood, but realized I didn’t truly understand. The word was shame. I thought I had a sense of what shame was, and I had a feeling about its pervasiveness in our society, but it was a vague sense and a vague feeling.
I’ve been thinking a lot recently about the greater purpose of musical theatre. It’s been said that if you want to make a billion dollars you simply help a billion people. Now, who doesn’t want to make a billion dollars (especially if you’re an artist)? But the question then becomes how do you help a billion people?
I’ve been thinking a lot recently about what precisely I, as an artist, can do to counter the sociopolitical climate of this moment. I am unwilling to fall victim to despair, while at the same time I recognize a sense of helplessness – particularly when it comes to sharing the truth. Our leaders have become misleaders. Our social media have become less social, more media. And the press is now suspect both to those who wish to subvert the facts and those who are seeking them out.
Therefore, I feel that it falls to artists to follow through, more so now than ever, on their job description of holding a mirror up to society. We must tell the truth.
The term isn’t mine, but the problem is one that lots of writers fall into. The Donut Problem describes what happens when your main character is nowhere near as interesting or as active as all the characters that surround her.
Her thank you speech last night was…surprising, I think. While many actors take those opportunities to speak broadly for what they feel their career has meant to them or other people, Meryl took an interestingly more political, and potentially divisive tack. She (quite brilliantly) dissected the phrase ‘Hollywood Foreign Press’ into the people that have been and will doubtless continue to be some of the most vilified people in our current President-Elect’s playbook. Continue reading Streep. Agree or Disagree?
About a year ago now, I wrote an article on my blog called Race and the New Generation of Musical Theatre Writers. In the article, I called out to my white colleagues to ‘stretch’ their worldview to a point where they were able to see that our communities are not just populated by white people; to step outside of our unconscious biases and take an active part in truly ‘holding up the mirror.’
I have always been a worrier when it comes to money. Blame it on my practical Midwestern upbringing. Or my Father. Or the fact that I’ve chosen writing musicals as my ironclad fall-back career in case acting doesn’t work out.
Thankfully, I’ve been extremely lucky to make my living as an artist. I say “artist” because it encompasses the various roles that I play in my work. Sometimes I’m an actor, sometimes I’m a writer, sometimes I’m a musician or a teacher. But it all stems from my passion for and abilities as an artist.
It’s only been recently, though, that I’ve had to actually sit down and think about what to do with the money I’ve made.
Shortly after college, I found myself with a big chunk of credit card debt. And because of the piecemeal nature of making money as an artist, I had no real system to keep track of how much I was making and how much I was spending. Never mind saving or investing!
Art and activism have a long history together. As art is a representation of the truth of the world around us, it can often force us to see things that we typically choose to ignore.
Sometimes – often times – this type of truth telling can cause trouble for the artist. Especially in countries where freedom of speech is not valued as it is in the west.
In Iran, a 29-year-old painter named Atena Farghadani was sentenced to 12+ years in prison earlier this summer, for depicting members of the Iranian parliament as monkeys and cows. She created the artwork as a response to their vote to restrict contraception and ban certain birth-control methods. Even while in prison – where she suffered abuses and more injustices – she would draw on paper cups until they were no longer given to her. Continue reading Make Art for a Change
When I was in New York recently, I remember seeing the billboards for the musical It Shoulda Been You and thinking – “It shoulda been better.” I hadn’t heard a single note, hadn’t seen a single scene, yet for whatever reason, I just knew this show wasn’t for me.
This article from Entrepreneur about the psychology behind logos might explain why. The font, colors, and pictorial choices (a fluffy wedding cake = not my thing) all read “This is a show for women.” (Incidentally, I thought Mothers and Sons read “This is a show for old women.” Maybe I just don’t like Tyne Daly?)
As actors and writers of shows are often their own advertisers and brand-makers, I think this article would be extremely useful to take a look at. What are you intentionally (or unintentionally) putting out there? Continue reading Which Color Defines You?