Actor / Writer / Idealist
I believe a good story has the power to change the way people feel, think, and act. I’m a storyteller with a passion for changing the world and leaving it better than I found it.
For nine consecutive weeks beginning July 2, each writing team will have a weeklong residency in the Hudson Valley, two hours north of New York City, to write their new musical.
Writers pay nothing to participate in Rhinebeck Writers Retreat, which takes no percentage of future royalties, and donors cover all the writers’ costs. Each writing team lives in a private home and is provided transportation, food, and a $500 stipend.
There are times when the ideas just won’t come. I’m stuck on a lyric, or I can’t find my way into the skin of a character, or my audition prep feels uninspired. A lot of artists have different activities that help them through these blocks, and it’s super important to identify the ones that help you.
I was reminded, recently, of one of my favorite inspirational activities. Now that Spring is here in Los Angeles, I’ve started running again.
Who am I kidding, it’s always great weather here, so what’s my excuse? The fact is, between my different odd jobs of teaching, playing piano, and auditioning around town, I found myself stuck in my car a lot, sitting in traffic. Not the most inspirational of milieus. Continue reading What To Do When You’re Feeling Stuck
I saw a couple new plays over the last few weeks, and it got me thinking about structure.
There seems to be a trend with young playwrights that rejects the “restraints” of traditional structure. With nothing worthwhile to replace it, however, rejecting traditional structure feels like a rejection of any structure at all. The resulting play feels like a meditation on a theme at best and a plot with no climax or catharsis at worst.
My acting teacher asks me this question with unsettling regularity. No, she’s not suggesting I give up. (At least I don’t think she is…) She is simply pushing me to make big choices.
Because I never went to a formal acting program, I would sometimes get confused about the idea of “making a choice.” What does it mean to make a choice? A choice about what? Furthermore – what does it mean to make a “bigger” choice? Continue reading Big Choices to Make
For the longest time there was a wall I couldn’t surpass as an actor. I didn’t know how to be fully emotionally vulnerable in my work. Every now and then I would hit on something and it would surprise me. I couldn’t get back there, and I didn’t understand why.
A few months ago, I saw a play that featured a word that I thought I understood, but realized I didn’t truly understand. The word was shame. I thought I had a sense of what shame was, and I had a feeling about its pervasiveness in our society, but it was a vague sense and a vague feeling.
What makes a song the “Best Original Song” for a motion picture? This year is particularly fascinating.
There appears to be a clear front runner in La La Land, nominated for the maximum two songs – “Audition” and “City of Stars.” Being a “movie musical” (yes, in quotations) the songs function in a very clear and direct way, allowing their effectiveness and relevance to the dramatic whole to be more objectively quantifiable. With two nominations, however, it runs the risk of cancelling itself out.
Furthermore, historically the academy has chosen songs by famous pop artists, which gives an edge to Justin Timberlake and Sting. Although THIS year, with the massive pop appeal of Hamilton, the prize could go to Lin-Manuel Miranda. So it’s really up in the air.
There is always going to be a large amount of subjectivity when evaluating a creative endeavor. Ideally, the law of averages works it out so that the opinions of an educated sample reflect the opinions of the educated majority.
Remember, though, that while the nominations are made by Academy members who are songwriters and composers, the winners are decided by the membership as a whole. (So beware Lin Manuel Miranda – the deciding vote may come down to a tone-deaf cinematographer.)
I’ve always thought that songs in motion pictures are a difficult thing to judge, and precisely because of that they are almost always a difficult award to predict. Add to that the bizarre and ever-changing rules which govern the nominations of songs, which results in years where only two songs (???) are even nominated.
I thought it might be interesting to go through the nominations and see how to evaluate them on the principles of the Academy.
I’ve been thinking a lot recently about the greater purpose of musical theatre. It’s been said that if you want to make a billion dollars you simply help a billion people. Now, who doesn’t want to make a billion dollars (especially if you’re an artist)? But the question then becomes how do you help a billion people?
The only way to have a lot of really great ideas is to have even MORE really bad ideas.
The good news is having bad ideas is really easy! I have bad ideas all the time. They flicker into my head all day long, usually disguised as a good idea. Then after I spend a little more time with them, their true identity as bad ideas reveals itself, and they gets discarded.
But every now and then a really great idea flickers into my head disguised as a really bad idea. You just have to get through the bad ones first.
As I watch the various entertainment awards ceremonies that populate the first few months of the year, I am always struck by the depth of intention artists find in work that can sometimes feel like pure entertainment. I’m reminded that in everything we as actors do, we must find the greater purpose. Make it about something bigger than ourselves because that’s where the possibility for greatness lies.
Last night, during the SAG awards, many of the actors rose to the occasion of our times, understanding that the work they do does not exist in a vaccuum, but is rather reflected through the prism of the culture, giving their award an importance beyond simple recognition of talent or hard work. Continue reading What Will Your Oscar’s Speech Be?